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Not every movie should be watched. I watch the ones that most people avoid. I'll tell you what's good, what's great, what's horrible.

Why is Good and Evil never explained in Film?

April 11th 2008 01:11
A staple in fiction, but predominantly in fantasy and sci fi, is the concept of good and evil. The idea that there are two dichotomous factions, one representing all that is pure and good, and one on the side of darkness and evil has a long history in all forms of fiction, film included. Works like Star Wars, Harry Potter and The Lord of the Rings all demonstrate the concept of light battling the encroaching darkness.

I never really liked this idea. I always thought that such a black and white view of the world ignores the many shades of grey moral ambiguity that the real world was made up of. And from that observations about world we live in became hard to take realistically. However, a couple of, non-movie, works have recently had me looking at this dichotomy in a different light.




A couple of years ago the video game Star Wars: Knights of the Old Republic and its sequel The Sith Lords discussed why people follow the Sith in a way that the movies never did. Throughout the films the evil Sith were merely the yang to the virtuous Jedi’s yin. They wanted global domination and power, nothing more, nothing less. HoweverStar Wars: Knights of the Old Republic discussed why people become Sith. Why? Because of emotion, how can you take care of your family and friends as a Jedi when you are forbidden to feel strong emotions like love? The Jedi, while upholding virtue, where unfeeling machines of justice, where the Sith were the passionate and charismatic. The final difference was really in their end goals, the Sith were essentially selfish, they used their power to better themselves (even when helping their loved ones it may have been at the expense of others) where as the Jedi acted out of altruism, and a wish to help others at all costs.


Which brings me to The Night Watch. This is a Russian fantasy book, written at the end of the Cold War, which makes it interesting in itself, about a group of magically powered people (ala Harry Potter) unknown to the rest of the world. These ‘Others’, as they are called, are divided into two groups: the Light, and the Dark. As is explained throughout the book, the main difference between the two is that the Light help others, whereas the Dark use their powers to help themselves. The many moral questions that this brings up is discussed throughout the book (should a Light One stop a Dark One even when the Dark One is doing nothing? Knowing full well that s/he will hurt humans in the future? But at what cost? What about the Dark One’s loved ones? What about retribution from the Dark?).

Night Watch movie poster. Which I'm not actually talking about.....


It’s a similar system to that of the Sith/Jedi; and too a degree it made me think about the Cold War system as a whole. Two opposing sides, virtually equal in power, unable to act in ways they see as right due to fear of retribution from the other.

This kind of depth of analysis isn’t something seen in movies. While a single conversation may make you question such a basic concept of good and evil in a book, it’s always just taken for granted in film. Sauron was just a rampant expansionist dictator attempting to crush his opposition. No moral questions were raised (it’s been a long time since I’ve read the book, does anyone know if they were raised in that?) Voldemort was just plain evil, no reasoning was given. The Wicked Witches of The Wizard of Oz were the evil opposites of the Good Witches. Most comic villains are given some reason for their evil, but it is never properly outlined in films. At least not like the comics do.

Essentially for some reason, unbeknown to me, films seem to fail in justifying the good/evil dichotomy that they have so easily taken from print. Is there a feeling that a film going audience will take this for granted? Much of the source material for these films gives reasons for good and evil, yet as film goers we are often left in the dark.

P.S. I know The Night Watch is also a movie, but I don’t want to watch it until I’ve read the books. Get off my back
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8 Comments. [ Add A Comment ]

Comment by S.L.

April 11th 2008 01:54
Good and evil have been the trademark passions in literature as far back as literature goes. Allegories, parables and entertainment fiction have to have some opposing forces in order for the conflict to be used. If all stories were nothing but shades of gray, they wouldn't be very interesting or exciting, would they? I can tell you from personal experience (I write murder mysteries when I'm not blogging) that a good guy/bad guy story sells more copies than an all bad or all good story. Conflict is what creates the interest in who wins and who loses. That's entertainment, Geoff! lol

Comment by Cibbuano

April 11th 2008 03:38
while the good/evil standard is an easy one to capture audiences, I think the shades of grey are where the real action is. When good guys are corruptible, when the evil villain has a fingertip of morality, or a sense of justice.

I mean, look at Le Samourai or Dirty Harry.... are those characters good?

Great article though... I also played both KOTOR - I love the mechanic of making choices that determine who you'll side with, but, unfortunately, games still don't offer enough temptation!



Comment by Morgan Bell

April 11th 2008 10:19
hey great examination of star wars, the symbolism in sci-fi is often deeper than it first appears

Comment by www.thedissector.com

April 11th 2008 15:41
Two different kinds of story-telling. A film, which goes for 2 hours, cannot and does not have the time or inclination to get stuck into the details. It has to set it up, knock 'em down and build 'em back up again in 2 hours, whereas a good book has the time to rip into the details.
ps...star wars, harry potter etc ignore some 'real' aspects of life - your 'grey' bits, but you have to keep in mind: they aren't real! They are fantasy, escapism from real, not a reflection of!

Comment by Damo

April 12th 2008 03:05
Time constraints.
If you need to explain the basics of ethics then logical you may have already used an hour.
Presumed stance:
The film maker presumes the audience does not like certain things and deems others are evil. Why explore if stealing is wrong when the film is about catching thieves. Start with the presumption that it is wrong and we already saving us a lot of boring video.

The Melodrama method of film making:
The conflict is out side the hero and must be battled.

There are only three conflict:
Man against man
Man against nature
Man against self.

Man against man are easier to make.

Comment by S.L. Bradish

April 12th 2008 03:13
Well said, Damo. There have been a few man against nature movies that were disaster flicks. And some weren't too shabby. But most films deal with conflict of some sort. Gotta have something to keep the interest going, right?

Comment by Geoff Egan

April 13th 2008 02:20
Cheers for the comments guys.
I agree time constraints are a big issue, and in hindsight The Night Watch does have like a third of the book on ambiguity, but Knights of the Old Republic brought up issues with casual off hand remarks that didn't have a big impact on the story.

I just think its a part of story telling that gets left out of film. Which sucks because as Cibbuano said its the characters that cross boudaries that rock.

Comment by JohnDoe

April 13th 2008 02:25
The shallow good versus evil works well in fiction because it demands nothing of the viewer/reader. It certainly has its place and makes for fun fairytales (Eg; John wayne films). Wouldn't life be simple if it was all black and white. Thats not to say i haven't enjoyed some of these sorts of films, especially when I was younger...Shame that in real life some people still try to apply these blind ethics, (eg: the us versus them of war, religion and politics etc)

Now I tend to relish exploring the grey moralities of life, the fact that someone bad can do good and vice versa intrigues me.

Great post Geoff!


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